Everyone agrees Michael Jackson had a peak. Almost nobody agrees on when it actually happened, because they are combining two completely different things.
In this video I break Michael down into two separate tracks that people constantly confuse. His performance peak as a dancer and physical athlete, and his creative peak as an artist. They did not happen at the same time, and once you separate them, his entire career timeline makes a lot more sense, including why the Bad Tour was the right place to end his story.
Inside this video:
The Motown 25 performance that changed everything and turned dancing into his missing link
Why Michael trained like a professional athlete for exactly 10 years, and what that means for his physical prime
The Prince comparison that explains why gauging Michael’s creativity is so much harder
Why Thriller and Bad represent his true creative peak
The case for why Bad, not Thriller, might be his real overall peak
This is my opinion and my reasoning behind it. If you land somewhere different, that is completely fine with me.
Subscribe if this gave you a new way to look at his career, drop your own answer on his peak in the comments, and hit the Thanks button if this was worth your time.
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0:00 Intro
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Welcome to Streetball Strategies! I’m Tony. I’ve dedicated my life to exploring my potential for streetball mastery.
I wasn’t born with standard basketball talent. I’m not tall. At best I was average of speed, quickness, and jumping ability. Also, I’m very nearsighted, with sensitivity to light. Because of this, any court I stepped on I was automatically the least talented player at hand. But I loved ball. And I wanted to be able to compete with anyone who stepped up by pushing myself to discover the extent of my abilities.
Without conventional talent at my disposal, I soon learned that even the sharpest and most polished basketball skill set would only level the playing field for me so much. I was still at a noticeable disadvantage on the court. So, I began to explore unusual avenues of streetball manipulation. Aspects of the game that were sorely overlooked by my contemporaries. Regardless of how small or seemingly insignificant, I looked for every advantage to improve my game even just the slightest bit more. Over time, I combined all of those small advantages (strategies), with good old fashioned hard-work to not only compete with any player in my path but elevate my game to heights I never could’ve imagined.
That’s what I want to do for you. This isn’t a channel about streetball ankle breakers, or streetball moves, or streetball highlights or even plain ol’ basketbal highlights. It’s not even really about basketball drills. I want to teach hardcore streetballers who may not be very talented how to discover the depths of their own potential using strategies more gifted or accomplished players would probably not even consider. And by doing this, establishing a streetball legacy of their own.
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